Sang-yeol
搜索"Sang-yeol" ，找到 318部影视作品
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고봉수 KO Bong-soo
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Dae-sik comes to Turkey on a business trip with his team leader, while Jeong-wha visits the country for a vacation with her husband. Reluctantly joining a guided tour, Dae-sik unexpectedly crosses paths with Jeong-wha, the woman he had a one-sided crush on back in college, and the situation begins to spiral out of control.
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JANG Man-min 장만민
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Jung-seo, an artist who draws vampire webtoons, heads to her father, Young-joo, who runs a restaurant in Mukho Port in Gangwon-do. She brings a saxophone that her mother, Mi-young, had kept as an IOU symbol. There, Jung-seo gets tangled up in her family members' unfamiliar desires. As she confronts her roots and shaky presence, Jung-seo makes a choice for herself.
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金申英
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Mnet原计划的K-POP全球双子项目在5.23日官宣更改为两组合并一组出道。由在韩国进行的K和在中华圈进行的C两个节目组成，两个节目以每场比赛相同的格式进行。
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Choi Kyeong-jin
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但去朋友家睡觉姐姐朋友…! 人气作家色说不能玩的内情! “前辈,一时冲动和亲姐姐的朋友”、“性感”等网上系列的作家色说人气阿德。现实高考补习班讲师兼新春文艺当选梦想的生计型作家东明(崔在焕)。有一天,他的面前初恋素妍(王发光)出现。他写的小说中的“前辈多和因赌气就性感”的着作权的主张,并展开其间分享收益的!本来初恋失败后,李炤燕并憎恨扭曲的여성관的同名来说,这实在令人痛心疾首。李炤燕在着作权费用之前,绝对无法去家里同名。”并称:“东明瘫坐在地减少资金是安还是“素妍的人,但她反而待遇,身穿内衣辗转当时那样数十年前减少而话语。万李炤燕在自己作为主角登场的人气色说的版权,可以得到认可吗?他是要写董明汉传闻中的主人公一样的初恋和她热烈分享爱情?
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이루다
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Nothing is more frightening, as the narrator points out, than a ‘time-rich nosy person’. Exhibit A is Ahn Geo-ul (Gyeong Su-jin), who commits herself to social justice causes with terrifying tenacity. After temporarily renting a unit in the Baek-sae Apartment building, she discovers that a loud, hard to locate banging noise occurs from 4am every night, making the residents’ lives an insomniac hell – and so she determines to engage in her own disruption and to find the culprit of this acoustic assault, simultaneously eliminating her eccentric neighbours as suspects, and recruiting them to her cause.
Focusing on a woman who is an unstoppable force for good, it is also a plea for community cohesion and solidarity.
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Jun-Pyo Hong
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Chun Taeil was an assistant who once bought bread for hungry girls working in factories; a tailor who could not turn a blind eye to the poor working conditions in Pyeonghwa Market; and a worker who had no choice but to shout to defend the Labor Standards Act. Instead of honoring Chun Taeil as a patriotic martyr, Chun Tae-il deals with his personality and destiny. It depicts the eldest son, who had to be the pillar of a poor family, and a worker who had no choice but to set fire to the labor movement by collaborating with his colleagues, who did not even know how to protest. At the same time, the film depicts the scenery and characters of the more lyrical time in which Chun Taeil lived. Chun Tae-il is a detailed portrait of the people who wanted to live like human beings in impossible times presented as a painful and beautiful animated film. The voice actors include actors Jang Dongyoon as Chun; Yeom Hyeran as Chun′s mother, Lee Sosun; and Jin Seonkyu ; Park Chulmin; and Kwon Haehyo. (HONG Eunmi)
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김수정 KIM Soo Jung
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“他们怎么在一起了？”会是第一个想到的，因为 Chu Sang Woo 和 Jang Jae Young 在方方面面都如此不同。一个是像机器人一样的工科学生，为了方便穿着深色衣服并遵守严格的时间表。另一个是自由奔放的设计专业，穿着五颜六色的衣服和滑板。当载英和尚宇一起参加团队任务时，尚宇从项目中划掉了载英的名字，两人因此成为敌人。 这部电影是根据 Jeo Soo-ri 的网络小说《语义错误》改编的 WATCHA 排行榜冠军的八集电视剧改编而成。由于这部小说拥有庞大的粉丝群，要超出预期将是一项挑战，然而，两位正式偶像演员朴瑞咸和朴载灿却中
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김지우
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4月1日出发前往尼泊尔。本季背景是古代贸易之路茶马古道，位于世界上最险峻的高山地带，是千百年来人类走过的文明通道，也是美丽的自然风光和少数民族生活的生命线。旗安84和伙伴们将从珠穆朗玛峰尼泊尔侧开始沿着这条路，与各种高山地区的人们见面，走进他们的生活。
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김진웅 Vince Kim
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주작한 심령 현상을 생중계하며
인기 유튜버로 급성장한 ‘쥬저링’.
하지만 기쁨도 잠시, 주작을 들킨 ‘쥬저링’은
채널을 접어야 하는 위기에 빠진다.
불리한 상황을 한방에 뒤집으려는 ‘쥬저링’은
‘마야신녀’와 함께 인적이 드문 외딴 집에서
회심의 심령 현상 라이브 쇼를 시작한다.
그 순간 이유를 알 수 없는
섬뜩한 일들이 벌어지고,
의문의 남성 ‘성민’과 마주치는데…
절대 그 문을 열지 말아야 했다!
봉인된 악을 깨운 그날의 라이브!
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KIM Yeo-jung,LEE Jung-chan
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电影《侵犯》于2025年3月12日在韩国院线上映。该片曾入围2024年第29届釜山国际电影节“韩国电影的今日-全景”单元并获得好评。少女时代成员权俞利细腻地塑造了影片中金敏的角色，展现出与歌手时期截然不同的面貌 ··· 单亲妈妈英恩（郭善英 饰）独自抚养行为怪异的7岁女儿素贤（奇素宥 饰）。为了阻止女儿的危险行为，她竭尽全力、孤军奋战，可女儿素贤逐渐难以控制，英恩的日常生活正一步步走向崩溃。20年后，失去儿时记忆的敏（权俞利 饰）在一家特殊保洁公司工作，她的生活因突然出现的神秘闯入者海英（李雪 饰）而被打破。“你越线的瞬间，裂痕开始了……”
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韩秀智
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the drama tells interesting stories of a couple in an office-dating relationship. Even though each clip is short, the web drama as a whole offers various sides of office dating such as heart-throbbing moments before the relationship blooms and little misunderstanding and difficulties arise in a relationship.
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崔孝元
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Yoo-ra suffers from nightmares every night. One day she meets her high school friends. Jin-tae is a promising artist, In-seok is a chaebol and former thug, Hye-jin likes In-seok, and Seong-ho, who used to be In-seok's errand boy, finally meet up. Yoo-ra asks her friends if they remember the classmate that killed herself. Everyone is flustered and claims they don't. Yoo-ra goes to the bathroom, but passes out after seeing herself in the mirror. Everyone gets in In-seok's car to send Yoo-ra home, but they get into an accident and all become unconscious. When they wake up, they are at a familiar school that's closed. It was the school they went to that has closed down. Why did they end up there? Yoo-ra and her friends tremble in fear for their lives...
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Cho Kyoung-ho
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A once promising baseball star is constantly hunted by two hitmen when a young boy asks him to sell his baseball jacket. A high school student acquires a sleep control device to help him with his exams, and ends up getting more acquainted with the seller in the process. A prison guard buys a guitar and plays one last song with a rock band after he finds out that his number has been called up… to be an executioner. An English tutor and amateur journalist investigating a murder case makes an offer to gain information on the involvement of … a once promising baseball star. GOOD DEAL is a woven tapestry of the interconnected lives of people striving through the day-to-day of contemporary Korean society. Quite a spectrum of themes are covered: romance, crime, sports, famly, work, and even Russian literature! As each of its characters seek to make a “deal” with another person to help them stay ahead or even stay alive, they find their interactions much more involved and complex than they first thought. Written and directed by Cho Kyuong-ho, the film mixes wickedly dark humor and sincere sentimentality through its interwoven yet still seamlessly linear style of storytelling.